#onenorth

Somewhere in the North of England

I love the north of England, I have lived in the north for more than 20 years, and even before that I sort of considered it my spiritual home. I was brought up just outside Nottingham which is in the East Midlands. But, historically, the River Trent was seen as the dividing line between the north and south, and, as the maternity hospital where I was born was three miles north of the river, and the village where I was brought up was another 5 miles north of that, I have always considered myself to be a northerner. I realise that if you are reading this in Newcastle or Carlisle, you’ll consider that Huddersfield, where I now live, is pretty far south, but I think most people would consider it to be pretty much at the heart of that thing known collectively as “the North” (in England at least; “hello” to my Scottish friends).

As a child I was fascinated by the North. My mother was a Londoner, and my dad had a job in which he travelled the country, but had regularly to visit his head office in London. When this happened in the school holidays, the family would all get in the car and be dropped off at my uncle’s house in North London while my dad went off to the head office. This happened regularly, we would all get into the car, head off towards the M1 motorway and turn left to head south for London. And every time we did this, I thought “what would happen if we turned right and went north?”. And then, one day, we did. I can’t remember why, but we turned right and headed north. And it was early evening in winter, it was getting dark. One of the things I remember vividly was that, as we crossed the Tinsley viaduct near Sheffield, there were jets of flame illuminating the night sky, emanating from the steel works. That left a big impression on me. My romantic notions of “the North” were now enhanced by a mental image that was almost like dragons breathing fire beside the road. Of course, those steel works are not there any more, and have been replaced by the Meadowhall shopping centre, which may be some people’s idea of a romantic venue, but not mine.

Somewhere else in the North of England

It was around this time, or a bit later, that my romantic notions of the North were significantly boosted by studying “Wuthering Heights” at school. And I also had this idea, perhaps fostered by my mother’s declaration that, having left London at the age of 21 she would never go back to live there, that the further north you went, the kinder and more collaborative people got (apologies to my southern friends, I know this is a stereotype). So, having lived in the West Midlands, as well as the East, when I got the opportunity to move to Yorkshire I jumped at it.

Even though I love living in the North, it cannot be denied that some of the infrastructure leaves a lot to be desired. It always amazes me when I visit London and people complain about the Underground. Of course it has its faults, not least being the over-crowding at rush hour, but the fact that you can disappear underground and be whisked miles across the city in quick time is something that residents of most other cities in the country can only dream of. And, there is the issue of the extra investment being pumped into new lines like Crossrail and Thameslink, at the same time that projects such as the proposed electrification of the Transpennine rail line between Manchester and Leeds have been cancelled. So, is it any wonder that people in the North are angry, and suspecting that the south is being favoured?

And we have had the Northern Powerhouse, which is something I have been sceptical about since its inception. My big problem with it was that, in common with many high-level strategies, it failed to engage with the people of the North in any kind of tangible way. Most of the imagery that came out of it was the usual stuff featuring middle-aged white men in suits. And little of what they produced seemed to have much relevance to people’s lives. And then there came a change of government, and the one project that might have made a difference to how we live, the rail electrification, was cancelled.

A Northern Rail Pacer

Is the Northern Powerhouse dead? I don’t know? What I do know is that the people of the North are angry, and that anger has crystallised around the latest debacle, which has been the failure of the train operating companies, in particular Northern Rail, to adapt to the new timetable which was supposed to give us at least a slight upgrade in terms of speed and frequency of train services. The result has been the opposite of what was promised, with chaos across the region, and reports of people losing their jobs because they can’t get to work on time, among other negative consequences.

I have often been asked for my opinion of the most effective means to get communities organising using social media. My response has often been to suggest that anger is the most likely stimulus. And the Northern Rail situation has produced lots and lots of anger. One of the unexpected results of this has been rival newspaper groups across the region putting aside their normal competitive instincts to come together in a collective expression of the region’s rage at the situation. And much of the anger has been focused around the social media hashtag #onenorth which has been used both to rally people around the campaign to get the government to re-instate its previous promises for investment in northern infrastructure, and to catalogue the nightmare journeys many people have been facing. It is interesting that this began as pretty much a grassroots expression of frustration, with the newspapers offering some kind of leadership and amplification of the message. The politicians of the north, with the possible exception of the Mayor of Greater Manchester, Andy Burnham, have been late to this party. Their leadership has been largely lacking.

So, does #onenorth represent a major coming together of the collective spirit of the people of the North? Who knows? It is perhaps too early to tell. I suspect that any collective spirit that does exist will dissipate if the immediate issues are addressed. But I have a hope. It is a hope that this might be a start of something. Could it just be that we can keep the #onenorth spirit going and use it to ensure the people’s voice is heard in future developments across the north of England? The Northern Powerhouse has been something that few people in the North have been able to engage with. Let’s make #onenorth a real movement of the people?

I am being absurdly optimistic about this? Let me know in the comments below.

Oh, and why you are here, I urgently need to get to 1,000 subscribers on my YouTube channel (I make videos about social issues and people’s efforts to improve the world), so please click here and subscribe if you can.

The Antidote to Poverty Porn TV

Last night I was at a great event at Salford University launching the “Fair Press for Tenants” guide for journalists, produced by Benefit to Society a collective of organisations which has come together to promote positive images of tenants to counter the negativity which often features in mainstream media. Their message is music to my ears as it is a theme I have been focusing on for the best part of the past 5 years.

It was a great event, and there were some wonderful people there. I think the guide is great, but, as I pointed out in the discussion, journalists are not the only people who need to be focused on with this message. Certain politicians have been cheerleaders in stigmatising social housing tenants, and the people who make programmes like “Benefits Street”, “How to Get a Council House”, “On Benefits and Proud”, and “Skint” are generally not journalists, nor are the programme commissioners at organisations like Channel 4 and Channel 5 who decide they should be made.

It was particularly interesting to hear from Eric Smith about the experiences of living in Wythenshawe, South Manchester when “Shameless” was being made, and the impact that had on outsider’s perceptions of the area. After the event some of us had a discussion about whether we could make our own programmes which are the antidote to poverty porn TV. I am definitely up for that if we can raise the resources. Who’s in?

Why does it take a tragedy for the good stories to come out?

On Tuesday of this week I tweeted the following

There were some amazing stories that came out of the aftermath of the bombing at Manchester Arena, not least of which being the heroics of Steve, the homeless guy, who subsequently was offered 6 month’s accommodation by the co-owner of West Ham United Football Club.

But, why does it take a tragedy for the mainstream media and the public in general to start paying attention to our dedicated NHS workers and other public servants? And, it has to be asked, why does a homeless person have to perform heroic deeds before he is offered accommodation?

Health workers and public servants are doing great work every day of our lives, and there are homeless people on the streets of every city who have not had the opportunity to respond in the way Steve did. Are they any less deserving?

People doing good work need to tell their own stories. Because there are few occasions when the mainstream media and public pay attention to them.

We are a society that believes in sharing, in helping each other, and in being there when needed. That is our story.

Still think that TV and radio are not being changed by social media?

I still have conversations with people who think that traditional media such as TV and radio are not being disrupted by social media. My contention is that, increasingly, and particularly in the case of radio, people are consuming media via apps on mobile devices, and that this means that they see TV and radio as one of many apps.

And here is a little illustration. Earlier today, the BBC cricket correspondent, Jonathan Agnew, was surprised to find that, as he attempted to hand over to a report on the Lancashire v. Durham County Championship match, he was interrupted by colleague Simon Mann, to be told that there had been a change of plan, and that there was now to be a feature celebrating “Aggers'” 300th Test Match as a commentator, and 25 years as Cricket Correspondent. As the clips of his commentating highlights faded out, Sir Michael Parkinson then took to the airwaves to begin an interview with him.

What made this different was that, anyone who had “liked” BBC Test Match Special’s Facebook Page would have been let into the secret before Aggers, as Sir Michael’s entry into the Engineering Room was being live streamed via Facebook Live with a commentary by a member of the team. So, while radio listeners were hearing Aggers carrying on on air, oblivious, Facebook users knew he was about to be knocked out of his stride.

What this means to me is that “broadcasting” is no longer linear. While the backroom scenes being streamed via Facebook were not officially part of the programme, they were a vital piece of information about what came next. And, as the Facebook Live camera moved into the actual commentary box, there was then a choice for anyone with a smart mobile device, either to continue just listening to the interview, or to switch to Facebook and see the interview with pictures. Thus the programme was available, on mobile devices, either via the BBC iPlayer Radio app (or others such as Tunein), or via Facebook. It’s a question of switching apps.

I know it’s a long way off, but we are heading closer to the day when mainstream broadcasting is simply one of many apps to chose from.

The EU Referendum – proof of the power of storytelling

I’m banging on about storytelling again. Because I believe a momentous decision has just been made because slightly over half of the UK adult population believed a story. That story might be true. It might not. I very much doubt that all of it is true. Much of it might have its roots in truth. But….

You see, the Leave Campaign bus had a slogan on the side which said “We send £350m a week to the EU: Let’s spend that money on the NHS”. Nigel Farage made a speech in front of a poster saying “Let’s spend money on the NHS; not Brussels”. This morning he has said that nobody promised the EU money would be spent on the NHS. You see, not all stories are true. But some of them are powerful enough to make people believe in them.

I watched a TV programme recently about the guy who debunked Yuri Geller and several evangelical Faith Healers. Even though their methods were publicly shown to be fake, after a brief glitch in their popularity, most went on to resume their careers. People wanted to believe that what they were doing was real more than they wanted to believe the facts. The story won out over the reality.

So, in the face of myths, we have to tell the real story and we have to get people to want to believe the reality more than they want to believe the myth. People believe that all social housing tenants are cheating scroungers because of “Benefits Street” and the like. They believe that having any kind of ambition in life is setting yourself up for a fall because that is a recurring motif in TV Soap Operas.

So, some of the stories we have to tell, in ways that that engage people, are:

  • Social housing is necessary for social cohesion and a balanced society;
  • Some people need benefits because they can’t work either permanently or temporarily;
  • Collective community actions can improve people’s lives;
  • Some people can and should be able to improve their own health and wellbeing if given support and access to resources;
  • WIthout immigration our economy would collapse;
  • Ethnic and social diversity is a social good and enhances all of our lives
  • Older age is not “God’s Waiting Room”.

And those of us who believe in these ideas, or work in organisations whose existence depends on them, need to tell these stories ourselves. All the evidence suggests that no one else is going to do it for us.

I am passionate about the power of Digital Storytelling and I want to help all organisations and individuals to gain the skills and capabilities to tell their own stories to the world. If you share this objective, and just need a little help getting there, please get in touch.

Why You Should Use Digital to Tell Stories

JP_at_DigCW_Craigmillar

It’s about 3 years now since I first started calling myself a Digital Storyteller. I was far from the first to do so, but I’ve come across very few people who work largely in the non-profit sectors who do so. Most of the others who have adopted the title have been journalists or marketeers. My own evolution came about through a gradual realisation that the people I was training in using social media in the public and voluntary sectors were often failing to put their new skills into practice mainly because they thought they didn’t have a story to tell. So, I shifted my emphasis away from the physical mastery of the tools and towards helping people to find the stories they were going to use those tools to tell.

The non-profit sectors are still not taking full advantage, however, of the opportunities digital tools now give us to tell our stories. If you look at how the big brands do it, it is clear that they have always told stories, whether it be via TV advertising or otherwise, about why they should be part of your lives. It’s how good marketing works. And consider politicians. Their key aim is to tell a story about how they see everyone’s future, and to get voters to buy into that story enough to want to vote for them.

The past six years have been a struggle for many non-profit organisations, with Government-led austerity meaning that funding has been declining while, often, workloads have been expanding. But the cuts have not fallen evenly across the board, with some sectors being protected, and others even being successful in getting planned cuts reversed. This is because these sectors and organisations have greater public support. Like the brands, the public buys into their stories. On the other hand, the mainstream media has often been cheerleading moves to downgrade and cut funding to some sectors, by producing reality TV programmes which degrade and stereotype the people they support. Thus programmes such as “Benefits Street”, “Skint”, and “On Benefits and Proud” all contribute to the story in the public’s mind that certain groups are undeserving of public support and thus taxpayers’ money shouldn’t be spent on services that cater for them. Another case in point is how the EU Referendum debate has been dominated by issue of immigration. This has become the story to the exclusion of most of the remainder of the multitude of issues which the EU deals with.

But the fact is that, when the people actually understand what non-profit services do, their support for it increases. I often point to the case of Dave Throup, the Environment Agency Officer, who gathered a cult following on social media, at the same time that the Agency he worked for was getting a kicking in the media for failing to save the country from floods. This occurred because Dave was telling the story of the great work he was doing on the front line by tweeting about it. It is much easier to love passionate individuals, working hard to help people, than it is to embrace faceless, corporate entities like the Environment Agency. This is why it is so important for non-profit organisations (by which I mean public, voluntary and social enterprise organisations) to tell their stories. And there are three stories we should all be telling:

  • Our personal stories: who we are, what we do, and (crucially) why we do what we do;
  • Our organisational stories: the history of the organisation, its role in society, how it does what it does; and
  • Our client stories: how what we do makes people’s lives better.

All of these insights into what organisations do can be vital in contributing to public perceptions of what we do. But perhaps the most important is the latter element. It is obviously in an individual’s interest to promote what they do, and in that of an organisation to present the best possible image. But, as the best brands have discovered, customer testimonials are the most powerful stories as they don’t have vested interests in being positive about the goods and services they receive. Client stories, therefore, need to be front and central of any digital storytelling strategy.

Social media has become central to millions of people’s lives. This trend shows no signs of abating, in fact, as demographics previously resistant to it recognise its value, it is reaching into new areas of society all the time. And people using social media are increasingly getting the majority of their news and information online. The big brands are all there competing for attention, and telling their stories to the world. But still, far too many non-profit organisations are leaving the field clear for mainstream media organisations and politicians to tell negative stories about what they do. Can you afford to let this situation continue? I think not.

If you would like me to help you with your organisation’s Digital Storytelling strategy, please get in touch.

#HousingDay 2016

Can you believe that this year sees the fourth #HousingDay, the event which has now become a fixture in the annual calendar? #HousingDay is 24 hours when staff and tenants in social housing take to social media to celebrate their work, lives and communities. This year, the event is on the 19th September.

I’ve sort of made a tradition now of organising high profile stunts on the day designed to try to bring the world’s attention to the work that social housing is doing. In 2014 I did the #Housing Day Roadtrip, when I drove 800 miles visiting social landlords up and down England and Wales to highlight their great work, and in 2015, I did the #HousingDay NewsRoom when I was joined by some doyens of the social housing sector to live stream hourly news bulletins about what people were doing for the day.

This year I want to do something that is a little more ambitious. In fact, it might be a bit too ambitious, but I am putting the idea out there to see if there are any takers to help me make this happen.

One of problems that I think besets the social housing sector is that it is guilty of talking to itself rather than to the outside world. #HousingDay is, of course, an attempt to break out of that self-perpetuating bubble, and I think it does that to an extent, but not to anything like the extent that is necessary to make a real difference. And, by make a difference, I mean get widespread support for the sector such that it becomes impossible to impose damaging laws on it, starve it of resources, and make stereotyped TV programmes which demonise tenants. I think we are still a long way from a position where we might achieve these objectives.

2016 is the 50th Anniversary of the broadcasting of the TV programme “Cathy Come Home” the play that did so much to raise the profile of the housing crisis of the time, and which led to the founding of Shelter and many of the housing associations which exist today. That was a real breakthrough moment, and it is perhaps no coincidence that the current housing crisis has caused director Ken Loach to come out of his self-imposed retirement to produce a new film.

So, this is what I want to do on #HousingDay 2016. I want encourage people involved in social housing to organise Housing Film Shows, and I want these to happen in as many towns and cities as possible. I want “Cathy Come Home” to be on the bill of these shows, along with any other housing-related films people can think of. In fact, I want to challenge the social housing sector to make its own films about its work to show alongside “Cathy”. It would be great if each town and city could have its own unique film to show on the day.

But more than the film shows, I want this to be a major opportunity for the sector to talk to others outside its boundaries. I want everyone who organises a show to pack the audience with people who live and work in social housing, but I also want them to invite as VIP guests:

  • local MPs
  • local councillors
  • the Chief Executive of the local authority
  • local business representatives
  • the editor(s) of the local newspaper(s)
  • the editor(s) of the local radio station(s)
  • local and regional TV news
  • local celebrities

And I want organisers not to take “no” for an answer. I want us to move heaven and earth to get as many influential non-housing people there as possible, and I want each show to be a high-profile, media-friendly event.

Can we do this? Is it too ambitious? I hope not. Your comments welcome below. And get in touch if you want to help organise shows.

 

Stories not Statistics

You know me I like stories. I promote storytelling; particularly Digital Storytelling.

I am constantly being told that evidence is what matters. That you cannot tell stories without evidence. Well, that may be true…. but….

Most people would agree that social housing and the people who live in it have been unfairly stigmatised. Despite all the efforts to get social housing to be a key issue in the 2015 General Election, whenever the subject of housing is raised, the politicians end up arguing over which party does most to promote home ownership. It’s like Mrs. Thatcher’s oft quoted view that anyone over 30 who uses a bus is a failure. She also changed the paradigm so that society’s prevailing view is that anyone who doesn’t own their own home is a failure, or at least that is what everyone should be aspiring to.

And so, social housing tenants are stigmatised, and the media pile in reinforcing this stereotype by pumping out poverty porn like “Benefits Street”, “How to Get a Council House”, “Skint”, and “Immigration Street”.  And still, people tell me that he only way to counter this view is by producing evidence to the contrary. And the evidence they want to produce comes in the form of reports, statistics and infographics.

But, stop to think for a moment. Where is the evidence that backs up the viewpoint promoted by the purveyors of poverty porn? It’s not there. They go out, they find a story they want to tell, and they tell that story, whatever the evidence might suggest. And they are the ones whose world view prevails. The public is not interested in evidence. If they were, news channels would have larger viewing figures than soap operas.

So, please; by all means produce your reports, your statistics, and your infographics. But don’t kid yourself that any of this wins hearts and minds. It’s the stories of people living happy and productive lives in social housing that will be much more persuasive.

Stand up for positive uses of the internet

This morning’s edition of the Today programme on BBC Radio 4 was guest-edited by the musician, Tracey Thorn. There were two sections of the programme which were about how the internet can help vulnerable teenagers find support online. There were some great, inspiring stories, but, both of the items were topped and tailed by negative comments from the programme presenters suggesting that this kind of thing is a rarity on the internet, amongst a sea of trolls and threats.

We can’t allow the mainstream media to go unchallenged when it pedals this line, partly out of self-interest as the web eats away at its audiences. There are millions of positive interactions every day online, many of which go ignored by TV, Radio and Newspapers. Just look at all the offers of free Christmas Dinners for those who would otherwise spend Christmas alone, as only one example. The web is a powerful force for social good, and the media cannot be allowed to get away with suggesting otherwise.